Accéder au contenu principal

#1 Introduction / MAPP DTP



Hello! My name is Léa, I am 36. I have been working as a dancer and as a choreographer most of my professional life. 

I graduated in 2007 with a BA in Art History and Modern Literature from Université Lumière, Lyon II (FR) and in 2008 with a Certificate of Higher Education from London Contemporary Dance School.

Since I worked as a dancer in London, Germany, Luxembourg. I started making my own work in 2013.. first as a joke. I was angry, bored, revolted. And things started to get serious, little by little. More money, more support, more revolt, more things to dig and to experiment. 

Today, making my own work takes most of my time. Between the production, touring, creating, logistics etc. I do work with collaborators on a part-time basis, but am the only full-time worker of the company really. 

I love making. 

I have 2 kids. A 4 year old and a 1 year old.

Life is full. 

I am extremely happy to be part of the MA so that I can dig even further. 

I look forward to exploring, thinking, learning and from you all!

Léa 

Commentaires

  1. Great first blog Léa, great to have you with us sharing your practice, thinking, parenting along the way!!

    RépondreSupprimer
  2. It was so great to meet you on the zoom session today. Looking forward to connecting with you over the coming weeks.

    RépondreSupprimer

Enregistrer un commentaire

Posts les plus consultés de ce blog

#3 the (unquestionable?) question of the Art

  I guess I got lost in translation. But I did use the word "Selfishness in the creative process" once. Maybe "self-centered-ness" might be more what it is. The act of looking at what you make through your eyes, with your guts, as opposed to through the constant feedback, and the "I would have" conversations I have stopped listening to for my sanity. I believe I am a sort of selfish maker. Not with my collaborator who I highly and genuinely care for. But for the people outside the studio. In that sense I agreed with Olga. The question of the Art being necessary though. mmhm.  Then comes the sharing of the work. THE moment I love the most.  Then, the work slips out of my hand, of myself and becomes everything and everyone's.  In that sense, I believe there is not a less selfish act than sharing something you have sweat for. You have gathered the money, the team, you have the mad courage of making and sharing. From the cave of "selfishness/self-cent...

The liberating act of surrendering to not knowing

  I grew up in a very big family of Italian immigrants in the North East of France. Family reunions were loud, cheerful. We would sit at the table for hours, eating, singing. My grand father would play mandoline and sing the same songs over and over again. But the loudness. And you HAD to be louder, quicker, more alert than you relatives to survive in this group of people! I believe this shaped my learning style.  No time to think or to overthink. In a family who had to re learn a language, a culture, there was no time for taking the time. Action was their salvation, their pride. My mum and her 8 brothers and sisters would all have careers in jobs where their "hands" were needed. My dad and his 2 relatives, the same. Although there was a tendency for the imagination, the poetic (the mandoline played a role in that). My dad studied Fine Arts and my his brother is a guitarist. They both taught, drawing and music.  The least you would have to speak, the better. It amuses me ...

#task 3 - Module 2

This course is inclined toward qualitative research methods. Write about your thoughts on positivist and non-positivist approaches. How do you reconcile yourself to a non-positivist position? What experiences in your past inform how you feel about these two positions? Include your thoughts on embodiment and Cartesian dualist’s mind / body divide. Relate this to your own practice and your professional experiences.     These big words scare me.  Positivist approach; scientific and fact based.  Art experience/training is necessarily subjective.  I keep questioning what I do, its legitimacy, its impact, its necessity even. So my understanding  of it is constantly changing. And so is my practice. My approach to movement today is far from what it was 8 years ago. It is deeper and just-er. Like; I have dug and entered the world that I wanted to explore a little more.  I am uncovering it as I am digging.  I am creating it as I am digging.  There is s...