I was going to write a note on my phone and thought I should do it here so that I could share some (beginning of) thoughts. Going through Module 1, I cannot help but wonder: what had an impact on my professional life, on my approach to dance, to life, to art. Although I might mix inspiration and learning from experience tonight, I thought I should just get this out of my system. This is a very vague and probably non-sense-ish list.
- Dada, Fluxus
- La Monte Young, "Draw a straight line and follow it"
- Chris Burden
- Georges Perec
- Guy Debord - and my world twisted
- Lipstick Traces, Greil Marcus. Situationnism, Fluxus, Punk. The Art of building bridges.
- Alain Platel, everything from Alain Platel
°° Too many men on that list °°
- King Kong Theory, Virginie Despentes
- The Second Sex, Simone de Beauvoir
- The factories and the steelworkers, their anger, their poverty, their enslavement to their condition.
- Italy - the far away country, the place they ran away from for a better life.
- The dislocation between the mind and the body - I loved reading about the embodiment in the doc though.
- Kassel
- La Traviata
- The warm up classes in Kassel that made me think there was only one way to teach a good contemporary class. 1 aim = being warm and sweaty by the end of it.
- TripSpace, the professional shared class I led in 2016 with Simonetta.
- Making and teaching. 2 different things, feeding each other.
°°Let them fed each other °°
- Being sick. Facing mortality. Not trusting the body for years.
- Cranio-sacral therapy. Being part of nature.
- Being pregnant, giving birth. Trusting the process. Trusting the body, finally.
- one of my first job as a dancer: Sylvia. Watching her (reflection observation) work taught me to be a better collaborator.
- In general = concrete experience vs. active experimentation. The importance of impatience in my learning process...?
Commentaires
Enregistrer un commentaire