Accéder au contenu principal

#2 thoughts / impacts

 


I was going to write a note on my phone and thought I should do it here so that I could share some (beginning of) thoughts. Going through Module 1, I cannot help but wonder: what had an impact on my professional life, on my approach to dance, to life, to art. Although I might mix inspiration and learning from experience tonight, I thought I should just get this out of my system. This is a very vague and probably non-sense-ish list. 

- Dada, Fluxus

- La Monte Young, "Draw a straight line and follow it"

- Chris Burden

- Georges Perec 

- Guy Debord - and my world twisted

- Lipstick Traces, Greil Marcus. Situationnism, Fluxus, Punk. The Art of building bridges.

- Alain Platel, everything from Alain Platel

°° Too many men on that list °° 

- King Kong Theory, Virginie Despentes

- The Second Sex, Simone de Beauvoir 

- The factories and the steelworkers, their anger, their poverty, their enslavement to their condition. 

- Italy - the far away country, the place they ran away from for a better life. 

- The dislocation between the mind and the body  - I loved reading about the embodiment in the doc though. 

- Kassel

- La Traviata

- The warm up classes in Kassel that made me think there was only one way to teach a good contemporary class. 1 aim = being warm and sweaty by the end of it. 

- TripSpace, the professional shared class I led in 2016 with Simonetta. 

- Making and teaching. 2 different things, feeding each other.

°°Let them fed each other °°

-  Being sick. Facing mortality. Not trusting the body for years. 

- Cranio-sacral therapy. Being part of nature. 

- Being pregnant, giving birth. Trusting the process. Trusting the body, finally. 

- one of my first job as a dancer: Sylvia. Watching her (reflection observation) work taught me to be a better collaborator. 

- In general = concrete experience vs. active experimentation. The importance of impatience in my learning process...?



Commentaires

Posts les plus consultés de ce blog

#task 3 - Module 2

This course is inclined toward qualitative research methods. Write about your thoughts on positivist and non-positivist approaches. How do you reconcile yourself to a non-positivist position? What experiences in your past inform how you feel about these two positions? Include your thoughts on embodiment and Cartesian dualist’s mind / body divide. Relate this to your own practice and your professional experiences.     These big words scare me.  Positivist approach; scientific and fact based.  Art experience/training is necessarily subjective.  I keep questioning what I do, its legitimacy, its impact, its necessity even. So my understanding  of it is constantly changing. And so is my practice. My approach to movement today is far from what it was 8 years ago. It is deeper and just-er. Like; I have dug and entered the world that I wanted to explore a little more.  I am uncovering it as I am digging.  I am creating it as I am digging.  There is s...

the dislocation and the marriage / mind+body

  I have been very intrigued about some of your approach and research on somatic practices.  Dieter, Ann, Cael, Matthew.  When I started reading one of the module 1 handbook, I could not start but feel a squash in my stomach: "On this course we are coming from a starting point of embodiment. Embodiment does not separate mind and body. A separation of mind and body which is called Dualism, links knowledge (thinking, understanding, and ideas) with the mind only, and links sensation (hunger, growth and pain) with the body only; the dualist mind / body separation leaves the body as something that carries the mind around but is not a site of knowing." See. I do get this. Totally. Of course.  But my experience with illness totally shredded/crushed/destroyed the relationship between my body and my mind. My body had betrayed me and my mind was the only 'thing' that was me. My body became for a very short period of time (probably a couple of month after my diagnosis) a thing ...

#task1 - Module 2

Alain Platel.   When I discovered his work, my whole world collapsed and crumbled, my belly, my soul got crashed. How on earth could this exist and how on earth had I missed this? 2007, back from a party very late at night, I turn on the tiny tv I used to have and watch ARTE. A woman is dancing, stumbling, ‘stuttering’, she is very skinny, uncomfortably skinny, it is uneasy yet intriguing, her movements seemed to speak the language of her tormented soul or at least, tormented body.  A dance that wasn’t just about the dance, a dance that seemed to go beyond the body, an embodiment of what’s beyond. Humanity. Its tragedy.  This is what I long for, Art that confronts.  I have always been curious and attracted by avant-gardistes, Dada, Fluxus.. Chris Burden, La Monte Young. Something in what they did seemed off but was essentially ‘just/right’ to me.  Once I had discovered the existence of Alain Platel’s work and whenever I could, I religiously attended eac...